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J Peter Dodoo Jnr., Yoga student of “Mr Strong”, Ever Young Studio, Accra, c. 1955 artist-Yona Friedman as well as a live

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Chrome lens
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as well as a live reading by the artist of his text Hammering the bars

“Supporting free and open institutions like the Serpentine Galleries

designed by Kazuyo Sejima and Ryue Nishizawa of SANAA

Bronze cast multiple

The obsidian stones

J Peter Dodoo Jnr., Yoga student of “Mr Strong”, Ever Young Studio, Accra, c. 1955 artist-Yona Friedman as well as a liveJames Barnor J Peter Dodoo Jnr., Yoga student of Mr Strong, Ever Young Studio, Accra, c. 1955 Inkjet Print to Hahnemuehle Pearl 285gsm 203 x 220mm Edition of 150 + 50 APs Stamped and numbered 120 (incl. VAT) James Barnor, courtesy galerie Clmentine de la Fronnire @james_barnor_archives Accra in the 1950s was a decade marked by the significant transformation of nation building and the rise of cosmopolitanism. Photography served as an important medium

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