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Serpentine Pavilion 2024: Archipelagic Void artist-Theaster Gates whilst Tina Campt’s ‘The Visual

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whilst Tina Campt’s ‘The Visual Frequency of Black Life’ questions the sound of images and the frequency of black vernacular photography

Akwaeke Emezi

both of which explore imaginary scenarios of techno-human evolution over vast cosmological time spans

after the Woodberry Down Estate that was constructed in the aftermath of World War II

Cally Islam

Serpentine Pavilion 2024: Archipelagic Void artist-Theaster Gates whilst Tina Campt’s ‘The VisualDesigned by Minsuk Cho and his practice Mass Studies, Serpentine Pavilion 2024 Archipelagic Void is composed of five 'islands' positioned around a central circular void. Each 'island' is unique in size, height and form, serving a different purpose and individually named. This publication, conceived in close collaboration with Cho, brings together voices from across the worlds of architecture, art and poetry including Eun Me Ahn, Iwan Baan, Stefano

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